1995 was a big year in the Guitar Amplifier
Department. The X-100B tube head and all associated stacks went
away after a long and successful run, but it was replaced by the new
Valve Master head and stacks. A new line was introduced, also -
the Vintage Series. Also new for 1995 were the Club Master and
Stage Master tube combos, which replaced the XT and XV series of tube
combos. Not shown, but unchanged for 1995, was the SX15 guitar
preamp, Quad X-Amp preamp, and Tube 100 power amp.
pictures and prices on this page are from the Spring 1995 catalog.
each picture for a larger version.
The new Vintage Tube Series of amps
recreated the style of vintage amps from the 50's with modern
components. They were all covered in vintage tweed cloth, and
used vintage-style knobs.
The VT410 (right) used the VT50
50W tube head, powering the VT410 cabinet. The 2-channel
head featured parametric EQ on both channels, master reverb, acoustic
presence on channel one, and a dynamic saturation circuit on channel 2
(created in conjunction with Allan Holdsworth) which was dubbed
The VT50 head sold for $499, and the
VT410 cabinet, loaded with four VL10 65W speakers, sold for
$269. The VT410 stack, built on these two components, sold for
Also from the new Vintage Tube Series
was the 212 Bel Air combo, which would prove to be one of Carvin's
most sucessful tube combos. The 50W amp was based on the VT50
head, and had the same features, but was built in a combo with 2 VL12
Price on the Bel Air was $639.
Carvin also offered a pair
of single-speaker Vintage Tube combos - the Vintage 33 (shown)
and the 112 Nomad. The Vintage 33 was a 33W combo,
powering a single VL12 speaker, and did not have the effects loop or
acoustic presence control, but was otherwise the same as the VT50
head. It sold for $429. The 112 Nomad had all the features
of the VT50 head, in a 50W combo powering a single VL12 speaker.
It sold for $569.
The VM100 Valve Master was
the heir apparent to the X-100B tube head. This head also sported some
classic styling, such as the open-grille enclosure and classic knobs, in a
DuraTuff II covered cabinet. It featured two channels, one for lead, and
one for rhythm. The lead channel had a 3-band parametric EQ with
overdrive and lead presence, and the rhythm channel sported a standard 3-band
parametric EQ and acoustic presence. The unit also featured an effects
loop and master reverb, as well as tube bias control, 5 12AX7 tubes ans 4 5881
The VM100 was available in a pair of
stacks - a single and double. The VM412 single stack used
the Valve Master head, and the V412T angled cabinet, which was loaded
with 4 12" VL12 vintage series speakers. It sold for $899.
The VM812 (shown) included the
VM100 head, with a V412T and V412B cabinet, both of which were loaded
with 4 12" VL12 vintage series speakers. Price on this
double stack was $1249.
The V412 cabinets were also available separately,
in top (angled) or bottom (straight) models. These sold for
The Valve Master head was also used to
power the VM212 systems. These were available with one or
two V212 cabinets, each of which were loaded with a pair of 12"
VL12 Vintage Series speakers. The VM212, with single cabinet,
sold for $779, and the VM212-2, with two cabinets, sold for
The V212 speaker cabinet was also
available separately, for $249 each.
Also new for 1995 were the Stage
Master (shown) and Club Master tube combos
amps. These combos were built on the Valve Master chassis,
in a one speaker (Club Master) or two-speaker (Stage Master)
combo. The Club Master sold for $629, and the Stage Master sold
The SX100 and SX200
solid-state combos were unchanged from previous versions. The
SX100 sold for $379, and the SX200 sold for $429.